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Signed Framed Roberto Matta Limited Edition Ioessa Aquatint Etching

Excellent

A surreal aquatint etching by Chilean artist, Roberto Matta (1911 -- 2002), which is entitled "Ioessa." This 1972 piece is from an edition of 100 and is signed by the artist in pencil, lower right. Published by Editions Privee in Paris.

Roberto Antonio Sebastián Matta Echaurren was born on November 11, 1911 in Santiago, Chile. Matta was educated in his native country as an architect and interior designer at the Sacré Coeur Jesuit. Matta's acquaintance with Dali and Breton strongly influenced his artistic formation and subsequently connected him to the Surrealist movement, which he officially joined in 1937. He was in London for a short period in 1936 and worked with Walter Gropius and László Moholy-Nagy. Matta's employment with the architects of the Spanish Republican pavilion at the Paris International Exhibition (1937) exposed him to Picasso's Guernica (1937; Madrid, Prado), which greatly impressed him and influenced him in his own style. At this time, he was introduced to the work of Marcel Duchamp, whom he met not long after. He later went to Scandinavia where he met the architect Alvar Aalto and then to Russia where he worked on housing design projects. Matta died in Civitavecchia, Italy, in November of 2002.

Matta's one-man exhibitions include those at The Museum of Modern Art, New York, Nationalgalerie, Berlin, the Kestner-Gesellschaft, Hanover, the Hayward Gallery, London, Musee National d'Art Moderne, Centre Georges Pompidou, Paris, Museo de Bellas Artes, Santiago, Chile, and. Museo Yokohama, Japan. His work has been included in The Latin-American Collection of The Museum of Modern Art, New York, 1943; The Emergent Decade, Cornell University, Ithaca, New York, and the Solomon R. Guggenheim Museum, New York, 1965; Art of Latin America since Independence, Yale University Art Gallery, New Haven, 1966; Art in Latin America: The Modern Era, 1820-1980, Hayward Gallery, London, 1989; and Crosscurrents of Modernism: Four Latin American Pioneers Hirshhorn Museum, Washington, DC, 1992. A Matta retrospective was presented at the Centro Cultural Caixa in Barcelona and the Museo Nacional de Arte Reina Sofia in Madrid in 1999.

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$2,857.14

Signed Framed Roberto Matta Ltd Ed L'Octr'hui from Hom'mere (Chaosmos) Etching With Aquatint

Excellent

An aquatint etching by Chilean artist Roberto Matta. This framed piece is entitled "L'Octr'Hui" from Hom'mere (Chaosmos) and was created in 1974. Matta's art has been shown around the world and is the most prestigious museums as well, his style is surreal but with a touch of pop art fun. This piece is signed by the artist in pencil, lower right and numbered in pencil, lower left. Published by Editions George Visat, Parigi.

Roberto Antonio Sebastián Matta Echaurren was born on November 11, 1911 in Santiago, Chile. Matta was educated in his native country as an architect and interior designer at the Sacré Coeur Jesuit. Matta's acquaintance with Dali and Breton strongly influenced his artistic formation and subsequently connected him to the Surrealist movement, which he officially joined in 1937. He was in London for a short period in 1936 and worked with Walter Gropius and László Moholy-Nagy. Matta's employment with the architects of the Spanish Republican pavilion at the Paris International Exhibition (1937) exposed him to Picasso's Guernica (1937; Madrid, Prado) which greatly impressed him and influenced him in his work. At this time, he was introduced to the work of Marcel Duchamp, whom he met not long after. He later went to Scandinavia where he met the architect Alvar Aalto and then to Russia where he worked on housing design projects. Matta died in Civitavecchia, Italy, in November of 2002.

Matta's solo exhibitions include those at The Museum of Modern Art, New York, Nationalgalerie, Berlin, the Kestner-Gesellschaft, Hanover, the Hayward Gallery, London, Musee National d'Art Moderne, Centre Georges Pompidou, Paris, Museo de Bellas Artes, Santiago, Chile, and. Museo Yokohama, Japan. His work has been included in The Latin-American Collection of The Museum of Modern Art, New York, 1943; The Emergent Decade, Cornell University, Ithaca, New York, and the Solomon R. Guggenheim Museum, New York, 1965; Art of Latin America since Independence, Yale University Art Gallery, New Haven, 1966; Art in Latin America: The Modern Era, 1820-1980, Hayward Gallery, London, 1989; and Crosscurrents of Modernism: Four Latin American Pioneers Hirshhorn Museum, Washington, DC, 1992. A Matta retrospective was presented at the Centro Cultural Caixa in Barcelona and the Museo Nacional de Arte Reina Sofia in Madrid in 1999.